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  • Por qué todo parece hecho por IA4m
  • Las cuatro palancas de un diseño4m
  • Ponle nombre a la dirección4m
  • Critica como diseñador4m
  • Resumen del módulo 12m
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Panel/Módulo 1/Lección 5
GratisMira con ojo de diseñador

Resumen del módulo 1

2 min de lectura·Lección 5 de Mira con ojo de diseñador

Two minutes to lock in the module — what you can now see, and what you will build with it next.

You started this module looking at AI pages the way everyone does: "fine, I guess." You are ending it with a diagnostic kit.

You can name why an undirected page looks generated: the model converging on the average of everything it has read, down to the same gradient, the same three cards, the same polite typeface — and the newer, tastier defaults that replaced them. You can decompose any page into the four levers — typography, color, motion, background — and pull them one at a time. You can replace adjectives with named directions that carry a whole world of decisions in a few words. And you can write a critique that doubles as a prompt: element, measurable observation, instruction.

One artifact came with you through all of it — undirected slop in lesson 1, one lever pulled in lesson 2, a full direction in lesson 3. That page is proof of the module's real claim: the model was never the constraint.

Where this goes next

Seeing is the free half of the skill. The rest of the course is producing on demand:

  • Module 2 — Direct the aesthetic. The prompt patterns that get a point of view on the first try: the four-part design prompt, banning defaults explicitly, tokens before pixels, and why three variations beat ten iterations.
  • Module 3 turns your taste into a file — a design system Claude follows every time, so you stop re-explaining yourself.
  • Modules 4–8 go from the Claude Design canvas through self-reviewing browser loops to a client-ready build you can charge for.

What you just learned

  • Undirected output is the average of the training distribution — and you can name its tells on sight, old and new.
  • Typography, color, motion, background: four levers, pulled one at a time, each with a committed move that beats the default.
  • A named direction plus three committed details outperforms any pile of adjectives.
  • A professional critique is element → measurable observation → instruction — and it doubles as your next prompt.

práctica

Abre Claude Cowork en tu computadora y pruébalo con archivos reales. Cada módulo termina con un checkpoint donde entregas lo que hiciste.

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En este módulo

Mira con ojo de diseñador

  1. 1Por qué todo parece hecho por IA4m
  2. 2Las cuatro palancas de un diseño4m
  3. 3Ponle nombre a la dirección4m
  4. 4Critica como diseñador4m
  5. 5Resumen del módulo 12m